Updates, mostly gearish...
The holidays have come and gone. Things at work have been fairly steady, although a certain unnamed individual's attempt to portray himself as a visionary may have backfired on him. Time will tell. Not a lot new to report on the home front. Aeyong and I struck a deal that means she will go to Korea next year with a bigger expense account as well as helping pay for knee surgery for her mother. We would have done that anyway, but she usually tries to only spend money on the traveling costs and tries to just spend time with family. That is probably what she'll end up doing anyway, but I told her to shop if she wants to. Knowing her, she'll spend money on her family if she spends any.
I, on the other hand, have chosen a decidedly less altruistic path. I'm going to finally get the biggest (in sheer size and cost) item that I've had on my gear wish list for the past five years or so. Drum roll, please. No pun intended. Still scratching the noggin?
It's drums, I'm getting drums. My ultimate musical goal is writing and recording music for myself. If others ever get any enjoyment from it, great. But ultimately, I undertake this process for my own personal fulfillment alone. I've always aspired to write the music that has most inspired me, and that generally has been heavily weighted towards bands with guitar, bass, drums, and keyboards. Of those, keys probably open up the sonic landscape the most by virtue of synths and samplers, and If I want to go orchestral or soundtrackish, that's where the keys and synths come in. That being said, I've always wanted to have a good handle on what I consider the four dominant instruments in popular music.
I've wanted to learn drums so I could facilitate writing (regardless of the fact you can program drums to sound real or not), so I could improve my sense of rhythm, and just because I love the instrument and I've truly always loved the drummers in my favorite bands. If I were to make a top ten list (the creation of which I generally try to avoid) for guitarists, bassists, keyboardists, and drummers, a healthy chunk of the roster would come from Yes, Led Zeppelin, Rush, Pink Floyd, The Police, and a few others. Of those just mentioned, Bonzo, Bruford, the Professor, and Stewart Copeland are held in my highest regard. Sorry Nick, I love you and wouldn't exchange you for another, but you're not in the same category as those mentioned.
There are many others, especially in Jazz - the various PMG alumni (Antonio Sanchez, Paul Wertico, Danny Gottlieb), Jack Dejohnette, Steve Gadd, Billy Higgins, Peter Erskine, etc. There are too many to count actually. Despite the august nature of those mentioned, I'm sure to avail myself of some less steep summits before commencing skyward. Zeppelin will probably be a starting point, although it will take years to get to a level at which I won't be embarrassed, much less master the beats o' Bonzo. As with bass, guitar, and keys, I'll definitely put a few "unattainable in the near future" tunes in my practice list. One of my long term goals is to be able to perform and record all parts to certain tunes. While they're not as common, there are a few videos of people performing all the parts to songs out there on YouTube and the like (YYZ comes to mind).
After negotiating with Aeyong, I talked her into letting me get what I consider the best electronic drums on the market, Roland's TD-30KV-Pro series.
I'm getting electronic drums for multiple reasons. One, they're relatively quiet compared to acoustic drums, and two, they're very powerful and flexible when it comes to sounds and recording. Not to mention all the percussion and drum samples I have on my computers that I can now trigger with these drums. And I anticipate being able to use these indefinitely without feeling the need to upgrade. I didn't want to wait any longer since I'm not getting any younger, and I will need several years to really start honing my ability to a level I can use in recording.