strumzilla

‚ÄčA blog/journal about my life and the stuff I like. Popular subjects include music, guitars, gear, books, movies, video games, technology, humor.

Filtering by Tag: Composition

Revisions and Additions

I've had a few days away from "Widow Black Unweeping" (the song formerly known as Languid Licking Lollipop) and I've decided to revamp the vocals and some of the rhythmic elements. I'd say the proposed changes dials it back to about 80% complete because I'm not planning any other big changes. There are parts where the vocals and the rhythm seem to work against each other and some of that is predicated by how wordy the song is. I'll try and simplify some of the rhythms in the more wordy sections and see if that helps. If not I may trim down the lyrics as well. 

The vocal melodies in both the verses and choruses are just not powerful enough (from an emotional standpoint, but that could probably also be said about the delivery). I need to work on some sort of slamming chorus that really notches up the energy level and it's probably going to overshadow what was the original riff idea. That riff is okay on its own, but it doesn't seem to work as the main energy of the chorus. The verse melodies might not need as much of an overhaul, but they need some work because I don't sound comfortable singing them and they need a little more emotional energy. 

As I've stated in the past, I really learn the best lessons by first doing things wrong or at least inefficiently. Before I invested any time into production and mixing, I should have really focused on core song structure and made sure that it was connecting emotionally. I'll have to develop a workflow for more efficiently demoing tracks before I invest too much time in recording and producing them. It seemed to work out okay with Rascal's Refrain, but maybe it was just a better song and maybe I just got lucky. 

I've also begun work on another tune that had been lying dormant for several years. It was also born of a riff, and I had previously put together an entire song structure minus lyrics/vocals. I'm still thinking I want it to have vocals, but I'm not sure what they're going to be about. Instead of working exclusively on one track,  I want to mix it up a bit so things seem more fresh when I come back to them. I'll still likely finish WBU first, but I want to give myself breaks from the monotony of one song. 

A new domain, a new semester and Father John Misty

Sauntering into October, and fall can't be more welcome. The news cycle is a continuous barrage of gloom, doom and cheeto in chief's continuous upstaging of the last unbelievably stupid and callous comment or decision he made. It's impossible to process in real time, so I disconnect. Luckily I've had some great music by which to achieve this, including one of the better shows in a long time, Father John Misty at The Bomb Factory. I went with a group of friends including the brothers Garrett who originally turned me on to him. He's an old soul, wrapped in beautiful nihilism laden with gallows humor in a sumptuous sonic feast. Some of the best new music I've heard in years. No rest for the weary music fan as I begin pre-loading for prog titans King Crimson in a few weeks. 

I'm hoping for an email from a domain registrar to offer my long sought after domain for pyramidgrid.com. I've been trying for a few years since the name occurred to me and it's about to come available. I'm not sure how the current registrar got my information, but I received an email indicating it would be up for sale soon, so I'm trying to complete the purchase. This will be my ostensibly prog group name/page, not sure exactly how I'm going divide up my songs as an artist at present since I don't have enough of a catalog of songs to really worry about it yet. A concern for another day. 

I just started the fall semester at Berklee last week and it's already proving fruitful. I'm taking a harmony class as well as acoustic guitar techniques. We jumped right into alternate tunings the first week and it's proven inspirational for composition. Our first assignment was to post an original song using the tunings and I had already jotted down a basic idea while noodling. It's a short song in open D tuning that I plan on developing further in the future. A good week. 

Sniffwhistles and snarkbottoms...

Don't ask, it just seemed appropriate. We're in the latter half of May, so just checking in. Not a lot new to report. I've taken this semester and intend to take next semester off from Berklee. A combination of feeling like I was falling behind on some areas I wanted to explore (in musicianship and writing in general), combined with a feeling that one of the courses I was taking still needed some work (Music Compo & Theory) sparked the decision. I've got enough eligibility remaining in my GI Bill (9 years) that I can afford to slow the pace a bit. I've grown a lot by taking up drums, bass, and vocals but I've made a decision to at least try and dive deeper into guitar and keys, which I consider my most important instruments. I'm trying to work more on fundamentals, theory, and improvisation, especially on the guitar. 

I've also started separating practice and composition, so that I try to focus on each on alternating days. I've also accepted that some days I just don't have the mental and/or physical energy to make any progress. I just give it a pass when those days happen.  I've made some decent progress with this new approach (considering I hadn't really written anything since the compo class). I've got one song that's almost fully written, and several that I've made progress on.  I've been trying to compose structures and rough arrangements when I have time at work, as I can essentially accomplish this on my laptop alone. I'm also slowly learning how to incorporate some of my theoretical knowledge in helping me structure these songs. I tend to get inspiration in a random fashion, sometimes as a melody, sometimes as a rhythm. It doesn't tend to come theoretically intact (although rules are totally made to be broken, they can help), unless it's a really simple tune in C. I'm trying to hone those skills so I can naturally fit something in a major or minor key without having to look it up. I'll learn more about this is future compo classes, but thus far we were writing to film cues and not necessarily in the way I would write a song for myself. 

I also started recording my cover of "Life On Mars" by David Bowie. I've been working on the piano part for years now. Rick Wakeman's playing is often deceptively simple sounding but ends up being a technical challenge when you try to reproduce it close to his version. It reminds me of Tommy Emmanuel's guitar parts in a sense. They both play songs & parts that are ostensibly fairly easy sounding as a listener, but they both have such manual dexterity and facility on their respective instruments so that "easy" sounding chords and fingerings are anything but. The biggest challenge for me was that I had been playing "Life On Mars" as just a solo piano piece without any reference point, and this meant I was playing it too fast for vocals to keep up. I had to start playing it with the song so that I would pause long enough for the vocals to fit. 

And when I say cover, I'm making a video of myself covering all the parts. The most important lesson I've learned in recording a video, is that you really need to ensure you can play the part without significant (noticeable) mistakes, because it's a huge pain in the ass to try and fix mistakes after the fact. This is true for audio, but exponentially worse with video. I performed a couple takes and got one that I was okay with, if not over the moon. I think I'll probably re-record the piano once I've recorded all the other parts. My biggest complaint with my performance is that I was following/reacting to the recording and this makes it sound a bit robotic and flat. "Life On Mars" is a good object lesson in recording a full band cover version because it has a variety of tempos and the various parts don't all come in at once. 

The drum track is pretty simple, especially for any capable recording or touring drummer. That being said, my recently intermittent practice schedule combined with my intermittent within intermittent practicing of the drum part meant my first attempt was pretty awful. It was mainly the kick drum parts, as there is this repeating lead in beat that's on the and of 4 (I think) and it's offset from an open hi-hat to the extent that I feel like I have to rock back and forth. I think I need to get a drum stool that raises higher because there are times when I think my knee angle is a bit too acute (I think it's typically around 100 degrees flexion, and 80-90 would probably be a bit more mechanically advantageous). I have started practicing drums daily since then with an emphasis on that song and it's improved quite a bit. I feel like I might give it another go this weekend. After all that, I think the bass, guitar, and maybe the vocals won't be too difficult. There are a couple of high parts "Sailors, fighting in the dance hall" for one, that I'll probably need to make several passes at. My normal approach would be to record multiple passes of each line, but I'm not sure how well that will work with recording a video. I'm more likely to try singing it straight through several times and picking the best single take.  I'll likely gain some more knowledge on the recording of vocals since this will be one of my first times trying to layer vocals as well as adding harmonies. The other nice aspect is that this will also be an object lesson both in song recording, but especially in combining multiple recordings into one music video. 

On the homefront the biggest events have been a hailstorm in March that will result in us replacing a big portion of the roof and several windows. With a 2% deductible, that means we're going to be out about $10K of our own cash. We were lucky that we inherited that amount from my mother's 401K when she passed. And when it rains it pours (no pun intended), because our previously reliable (not counting bulbs) front projector seems to be dying on us. The picture dimmed considerably and when I replaced the bulb it didn't make any difference. We made the choice just to replace it, and ended up choosing a JVC that can display 4K, although it's not a native 4K to the unit. It basically upscales/doubles the image faster than the eye can see, so it will accept 4K signals and it will make 1080p signals appear to be 4K. True 4K projectors are still prohibitively expensive, so we're hoping to get at least five years out of this one (the previous one almost made it that long), and by then 4K prices should have dropped to more reasonable levels. 

At the end of March we traveled to Toronto to see David Gilmour at Air Canada Center and then to Chicago a few days later where I flew solo for his show at the United Center. He exceeded all my expectations. My only complaint is that the time flew by so fast and the next thing I knew the show was over. I really hope he films a show or two from this tour, perhaps the planned shows from Pompeii this summer. His most recent album is probably his best, and his set list was probably more than half Pink Floyd tunes. He played Shine On You Crazy Diamond and Time, arguably my top two choices to see live so everything else was icing on the cake.