strumzilla

​A blog/journal about my life and the stuff I like. Popular subjects include music, guitars, gear, books, movies, video games, technology, humor.

Filtering by Tag: Concerts

Concerts Attended*

I randomly decided to list the shows my friend Matt and I had attended over the years and then it just seemed natural to finish the job. This mainly satisfies my need to list/organize things, and it's a nice trip down memory lane as well. I've been pretty good about keeping ticket stubs over the years but there are a few omissions here and there. I have actually gone to the trouble to try and find ticket stubs on Ebay and I managed to get stubs for Journey (my first show), Van Halen on Diver Down, Ozzy on BATM (also saw him at the Texas Jam on that tour, for which I still had the stub), and Dio from Last in Line. Why these particular stubs were lost is a mystery as I have most of the shows I've ever seen.

I'm still trying to get several other stubs but the pickings are quite lean in that department. I actually bought ticket type paper and need to get around to recreating a few of the missing stubs. There have been a few shows I've attended on will call that they just don't give you a stub by policy or on occasion a ticket printer wasn't working. 

*reliving past shows is the gift that keeps on giving. 

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Rascal's Refrain

I'm taking a class called Recording and Producing in the Home Studio this semester. The course centers around developing a song from scratch until it's ostensibly ready for commercial release. I chose a song that had come from a guitar riff and chord progression several years ago. I had come up with it while noodling (as you do) and fairly quickly had an idea of what the song might be about. I never got around to developing it because I didn't think I was ready and then when I eventually learned about this course I decided to save it for that. In the past several weeks I've created a rough draft of the tune and it's gone through a series of re-writes based on the instructor's feedback. So far the response has been pretty positive and he's made some good suggestions.

I had penned scratch lyrics to this a few years ago and then once or twice I had re-visited them for a bit. I've come up with nearly the finalized version, although changes to the song arrangement are still possible and that might necessitate more editing to the lyrics. I posted the lyrics to Facebook and got some positive comments from a few friends. This was nice as they are part of what the song is about. It's a nostalgic nod to the high school and pre-Army years in which I spent all of my free time listening to music, partying, and trying to attend as many live shows as possible. Not much has changed. Here's the current version of the lyrics as of today:

 

Rascal's Refrain

Smoke filled Pontiac traveling east
Fleeing the suburbs, evading police
Another world in that little car
No haze could obscure a sky full of stars

David’s hunky dory when London calls
We’re Miles ahead when Wichita Falls
Kate’s running uphill hounds in tow
After work we'll catch a show

Raise your glasses
To the boys

Wanderlust
We thus entrust

Smoking, Drinking once again
They stagger around
then fall to the ground

Clearview, Arcadia, Bronco Bowl
Seeing every band, our only goal
Smoky clubs and raucous crowds
Take heed now, it might get loud

Pat & Ornette on New Year’s Eve
A Caravan of Dreams departs the scene
Stumbled down an alley, fell in a hole
Late for work with blood on my clothes

Raise your glasses
To the boys

Wanderlust
We thus entrust

Smoking, Drinking once again
They stagger around
Then fall to the ground

Skippy’s was just one mistake
Out of many they made

Vagabonds and wastrels
Derelicts distasteful

Blackout driving
Devils walking with a grin
Their feats will astound, no one in this town

Raise your glass
To yesteryear's past, dead and gone

This rascal's refrain is all that remains

This rascal's refrain is all that remains

Joe Jackson Live, Dallas 2015

It was great to see Joe Jackson live again, for the first time in nearly 30 years. It was even more enjoyable to see a show with my old friend, Matt Garrett with whom I've seen some legendary concerts. Joe and his touring band: Graham Maby (bass), Teddy Kumpel (guitar), and Doug Yowell (drums) were fantastic and capable of covering a broad range of Joe's catalog and covers (Scary Monsters!) with their freakish musicianship and solid vocal skills as well. 

Joe (and his fans) aren't getting any younger, but for most of the gig you could close your eyes and it would be 1986 all over again. His piano playing has always been stellar and that combined with his beautiful grand piano and the always great sound at The Majestic Theatre made it sublime. We suffered a slight embarrassment of riches in that we were so close to the stage and had a bit of a proximity imbalance with the mix. Doug Yowell's deceptively diminutive frame belied a powerhouse player who literally beat the skins off his kit. That's not to say he wasn't subtle and nuanced when needed. Doug and the band join a long roster of amazing musicians that Joe seems to attract magnetically. 

Graham Maby doesn't need my description or endorsement. He's a legend in the Joe canon, and deservedly so. Teddy Kumpel was a previously unknown player to me but he adeptly covered a broad range of not only guitar tones but several other instruments during the performance (often covering brass, string and even vocal parts). Joe's set progressed in an additive fashion, with just Joe on piano and vocals for the first few songs and Graham joining for "Is She Really Going Out With Him?" followed by Doug Yowell, and finally Teddy Kumpel. They ended the set the same way, which is such a Joe thing to do. He's always had the aesthetic symmetry to his art, demonstrated in the global resonance of Big World, recently mirrored in the four "City" EPs that make the new album. The devil is always in the details and Joe's music has always had multiple layers to discover over progressive listenings. Supposedly some private New York gigs were recorded for television, hopefully these will surface at some point. 

https://en.wikipedia.org/wiki/Graham_Maby
http://www.teddyjam.com
http://www.guitarmoderne.com/artists/spotlight-teddy-kumpel#more-2828
http://fret-king.com/black-label/elise.html#.VhpfYBNVhHx
https://dougyowell.wordpress.com/

 

  1. It's Different for Girls 

  2. Home Town 

  3. Be My Number Two 

  4. Girl  (The Beatles cover)

  5. Fast Forward 

  6. Is She Really Going Out With Him? 

  7. Real Men 

  8. You Can't Get What You Want (Till You Know What You Want) 

  9. A Little Smile 

  10. Kings of the City 

  11. Poor Thing 

  12. Love at First Light 

  13. Another World 

  14. Scary Monsters (and Super Creeps)  (David Bowie cover)

  15. Sunday Papers 

  16. Keep on Dreaming 

  17. Ode to Joy 

  18. Steppin' Out 

  19. Encore:
  20. See No Evil 

  21. One More Time 

  22. A Slow Song 

Mark Knopfler - Dallas 2015

Still a bit gobsmacked with how good Mark Knopfler and band were last night. It’s all a product of Mark’s brilliant songwriting, arrangement, playing, production, and most of all his imagination. Mark is a storyteller in the truest sense and he inhabits his characters to a depth not unlike Kate Bush or Tom Waits. I often feel like he understands American and World culture and history better than most of the natives.

His band are monsters on their respective instruments, and in most cases that’s three or more instruments each. The tour lineup includes Mark Knopfler (guitar, vocals), Guy Fletcher (keyboards), Richard Bennett (guitar), Glenn Worf (bass), Jim Cox (piano, organ, accordion), Ian Thomas (drums), John McCusker (violin, cittern), Michael McGoldrick (whistles, uilleann pipes), and Nigel Hitchcock (saxophone).

This band can cover any genre and create any dynamic. Majestic is a great old venue (I’m deliberately not talking about the seats), and the sound was excellent. High marks for the Dallas audience as they all seemed to be real Knopfler fans and not just the socialites that sometimes inundate these shows (not looking at you, ATT PAC). Another really cool feature of this and the last few tours is that Mark offers the board recordings on little guitar shaped USB sticks a few months after the show. As this was a great performance (even according to Richard Bennett on his blog), this live recording should be a keeper.

For the gear heads: Mark played a variety of strats, I think the classic old Les Paul from the BIA era, the resonator made famous from the album cover, his old Pensa Suhr (on the second half of Telegraph Road, and shit yes, he played Telegraph Road), a steel string acoustic, and the Danelectro pictured here. Great feature on Mark’s most important guitars on SkyArts from a few years ago:

https://www.youtube.com/watch?t=9&v=27OT_FSWrIE

  1. Broken Bones 

  2. Corned Beef City 

  3. Privateering 

  4. Father and Son 

  5. Hill Farmer's Blues 

  6. Skydiver 

  7. She's Gone (with Nigel Hitchcock)

  8. Your Latest Trick  (Dire Straits song) (with Nigel Hitchcock)

  9. Romeo and Juliet  (Dire Straits song) (with Nigel Hitchcock)

  10. Sultans of Swing 

    (Dire Straits song)

  11. Mighty Man 

  12. Postcards from Paraguay 

  13. Marbletown 

  14. Speedway at Nazareth 

  15. Telegraph Road  (Dire Straits song)

  16. Encore:
  17. So Far Away  (Dire Straits song)

  18. Going Home: Theme from Local Hero  (with Nigel Hitchcock)

Hey there sports fans...

A bit of a gap since the last update, as it happens. I've been back to work for the past 5 weeks, after a 3 week "vacation" in which we moved into our new home. Everything went relatively smoothly with the move with no significant problems. Along the way we cleared our rental and managed to get our security deposit back. I also managed to get in a fender bender on the day before we cleared the house. Luckily there were no injuries and my truck only sustained minor damage (I had to replace the passenger side mirror). My only official wreck in 30 years of driving (I may have been pulled into the magnetic field of a parking lot light pole many, many years ago. But that wasn't officially recognized by any municipal authorities) (probably because they weren't aware).  

We spent most of the 3 weeks trying to get the house in running order. We made some furniture and other household upgrades to include a new living room sectional sofa (aka Aeyong's new bed), nice tool bench/cabinet for the garage, 3 new ceiling fans, a metric crapton of additional network and speaker wiring, and multiple landscaping upgrades (flowers, shrubs, trees).  We also bought a new refrigerator and washer/dryer. It's a good thing we got our earnest money back from the Royal Crest Conundrum (that's the official historical title, mind) because we burned through that and more. 

We still have many upgrades planned for the future, but it will be a process over many years. We'll eventually add a patio, pergola, and outdoor kitchen to the backyard, but that's probably several years down the road. In the near term, we have two years to pay ourselves back for the 401K loan we had to take out to sell the Killeen house. We also plan on getting a new car (the first in 8 years) for Aeyong and I'll take the Pathfinder for the work commute. We don't want to add the car payment on until we clear the 401K loan. We could afford the new car now, but we adopted a pay as you go (not counting the house sale) policy many years ago, and we try not to carry any more debt than is necessary. A mortgage and a car loan are about our comfortable limit, for anything else we pay in cash. Since we have the outstanding 401K loan, we'll wait on the car. This policy allows us to live comfortably and still maintain the lifestyle we are accustomed to living. 

Music wise I went to see Slash at the Gigantour in Dallas. Great show as usual, if a bit shorter than normal since it was a festivalish show. I also saw Device which is the singer from Disturbed and I think a dude from Evanescence. They were pretty good. I also saw Hellyeah ? which is Vinnie Paul's band. I regret wearing sandals and being against the front of the stage. Total rookie move, by the way, but most bands I go see don't motivate the mosh as much. Black Label Society seemed good, although I'll be damned if I understood a word he sang or could really hear what he was playing. I skipped out on the headliner, Megadeth. I have Peace Sells, but I have never really gotten into Mustaine's singing or the music for that matter. 

We also saw Rodrigo & Gabriel at the newish? ATT Performing Arts Center in Dallas. They put on a good show like the last time we saw them in Austin, although they had a bit more set dressing. The audience seemed primarily composed of the hoity toity who have the disposable income to see and be seen in the arts district. My concert t-shirt was decidedly below the expected (not enforced) dress code of the cognoscenti.  It is a nice theater to see a show, though. We're going back in November to see Harry Connick for the first time in ten years. He's touring his latest album, and we're hoping he'll actually throw in some old hits. We previously saw him on a Christmas tour, and that was all that he played. No hits or non Christmas tunes (not counting about 30 seconds of Sweet Georgia Brown on the piano). 

Speaking of artists we haven't seen in a long while, we're going to see Steely Dan for the first time in, wait for it, ten years tomorrow night. They're not touring an album, but seeing how seldom they tour, we wanted to make sure we caught them. We have total nosebleeds since I wasn't sure prior to the move if we would be going and waited until several weeks after they went on sale to buy them. We'll be taking advantage of the video screens I'm sure. 

There's more to update, but I'm already running out of electrons at this point. 


Zee latest...

Got back to work this week after a very nice extended Thanksgiving holiday. We spent T-Day with le fam at my sister Debbie's house. All in all a decent day. The Cowboys found a way to lose to the skins at home on T-Day, which is apropos of the last 15 years. The highlight of the break was seeing Rush on their Clockwork Angels tour at AA center in Dallas. We went for the VIP tix and weren't disappointed. We got 3rd row center just a few seats off center of mass for Neil's drum kit, but with a perfect view regardless. Luckily we had a short lady in front of us, so Aeyong had an unobstructed view which is a rarity on the floor for her. It was a great show with an 80's centric set list which I initially wasn't thrilled about but I eventually warmed up to the idea and it was really nice hearing some of those tunes for the first time in a long time. It was about 27 years ago when I saw Rush at Reunion Arena for their Power Windows tour and a few of those tunes hadn't been played since that tour. Even better, they filmed this tour's DVD in Dallas & Phoenix (and the rumor is that it will be mostly Dallas) so we'll have a video record of the show to enjoy in the future. I've only had that experience once before, at the Crossroads Guitar Festival in Dallas and out of that whole video I probably only attended 50% of those shows in person. There's a chance we may even be able to spot ourselves in the crowd shots since we were that close, so we're looking forward to that as well, although I'm not holding my breath.

We're trying to move forward on the housing front. We've had a few back & forths with a local custom home builder and they are quoting a bit high for our preference at this point. Hopefully we can talk them down to our range and get the house we want. If so, we may be moving in to a new home this summer. Time will tell. There's still a bit of uncertainty about the housing market and mortgage rates. Everything points to a rebound (it's already happening essentially) and that means housing costs and mortgage rates will rise. The big uncertainty revolves around the "fiscal cliff" looming for our government and the good chance that tax rates will increase across the board. If this happens I expect home sales to flatten out and we may be better off waiting to see if the prices will drop again. All that being said, if this builder will respond to our requests and give us our minimums within our price range, we'll probably press Go.

I think since the last post I moved some things around in the music room. I decided to bring the roland piano back onto the desk so I would be more inclined to play it and to give me access to a full 88 key midi instrument as well for recording. I also started practicing bass again. I had focused on acoustic for several weeks in preparation for my grandmother's memorial service back in August and I hadn't ever gotten back to my regular schedule of piano in the morning and then bass for about 30 min to start off my evening practice session. I'm still trying to work on the songs I was putting together for my "Guitar Hero" (not the game) project. That is a slow process since I'm exploring a few songs that involve relatively new techniques for me. Just "Rock Around The Clock" alone is quite the challenge. It's a very fast, clean solo and there's nothing to hide behind when you play it. You either play it right or it's obvious if you don't. Similar to many acoustic songs in that respect.

There's been such a large amount of transition in my practice area, computers, gear and practice time in the recent past that I'm just now starting to feel as if I can settle into a regular schedule again and start prioritizing my practice schedule. It's funny how that although you don't practice something you may still notice improvement. I think our nervous system takes longer to respond to our demands and it doesn't necessarily stop working just because we stop. I have noticed on various occasions in the past that if I have had a break in practicing an instrument that when I return to it I will sometimes find certain things slightly easier to play than before. I think when you practice something every day that if you are making progress it's so slow that it doesn't seem to be happening, but I believe even when you stop practicing for awhile your body is still trying to adapt to the demands you placed on it before, so in a sense, progress is still being made.