strumzilla

​A blog/journal about my life and the stuff I like. Popular subjects include music, guitars, gear, books, movies, video games, technology, humor.

Filtering by Tag: New Gear Day

G.A.S. Philosophy

Asking the Important Questions, Episode XXXVII - G.A.S. Philosophy.

So, fellow G.A.S.ers, (you know who you are), what's your philosophy of gear acquisition? (whether money is a consideration or not)

More is always better?

I only buy what I will use?

Buy all the things?

This is important, think of the children.

My personal approach (since you asked) is primarily based on the unique sound any given instrument (or gear in general) will provide. In descending order of importance it's usually - sound, feel/playability, appearance. They're all important, but it's a hierarchy.

I'm not compelled to own more than one version of any instrument, even though I know they can all sound different, even two guitars that came off an assembly line or equivalent on the same day. Most of my guitars were inspired (and named) by the players I have idolized for so long:

Les Paul - Jimmy

Strat - Eric (J)

Tele - Andy

Jackson - Eddie

355 - Alex

J Bass - Geddy

My other instruments all have specific uses, even if they weren’t necessarily inspired by certain players. The new PRS is an example. I don’t have any particular player who inspired me to get the PRS, I just know they’re great guitars and I’ve heard many people use them to great effect. I still have other instruments I plan to buy in the future, but it’s unlikely I’ll ever get a second version of any I already own. I will say that within the PRS lines, there are a few other versions that offer different sounds/pickup configs that I’ll likely consider.


Alex III

I got the ES-355 VOS in classic white on Friday and I've had a little bit of time to mess around with it. This is the guitar I really wanted, it's got the vibe I was going for and no major problems. There were initially some small buzzing issues, but it arrived tuned to Eb and tuning up to standard cleared up most of that. It plays great and is very acoustically resonant (not surprising given it's a semi-hollow body). I was happy to discover that the gold hardware is more faded in real life compared to its saturated look in the picture. I'm guessing they thought that was a selling point, but I prefer the faded look. 

I'm having a bit of a Rushenaissance with the new guitar. My AxeFx III has been pretty neglected since I got it a few months ago, largely due to the etflp class. I've started to get back into tweaking it with the intent of recreating some of these classic sounds. I had a set of tutorials for the AxeFx II that I never completed but now the same instructor (Cooper Carter) is releasing a new set for the Axe III. I plan on going through those once available, but I'm already starting to experiment and get the Axe III in running shape. 

Someone on the the FAS forum had posted a tutorial about getting the MFC 101 Foot Controller (designed for the AxeII, but also a fully capable MIDI controller) running with the AxeFX III so I was able to get some basic functionality including patch changes, scenes, individual FX on/off, and expression pedals. I've still got a bit of tweaking, but my first experiment is going to be trying to record a cover video of Xanadu. I've got some plans for kimono/wig silliness as well. I'm hoping I can at least play the bass part as well, although there are a few challenging runs in there that I don't have down just yet. 

I might also record a few snippets of the drum part, but make it a joke since I can't play the whole thing by any means, at least not yet. Some of those triplets are still a year or more away. 

NGD III

In an uncharacteristic chain of events for Sweetwater, the replacement had problems and I've ended up sending it back and asking for a refund. The guitar seemed in good shape externally when I received it but it had this really annoying buzz emanating from inside the hollow body. I tried to tighten all accessible hardware but nothing helped. It sounded like a small washer or screw on the inside that hadn't been tightened down enough and had come loose at some point. It was distractingly loud at certain frequencies. 

The only way I was going to get it fixed was to take it to a tech or ship it back to Sweetwater. I was fed up at this point because it had been two weeks since I originally paid for the guitar and this represented the second time I was going to have go to extra lengths just to get a playable instrument. It was sent back and arrived at Sweetwater yesterday. I'm waiting on the refund now. 

In the meantime I decided to go after a VOS ES-355 that was closer to what I wanted in the first place. These were no longer being made by Gibson, but I found one in great condition on Reverb.com being sold by a reputable brick and mortar dealer in New York. It's on the way and arriving tomorrow. I feel fairly confident that this will turn out well and this guitar is a lot closer to what I wanted all along. 

NGD not without problems, and putting Spring 2018 to bed (finally)...

In a strange turn of events, my original 335 is currently enroute back to Sweetwater, with a replacement to be sent next week. There were several issues when I received it - a strange rubbery sawdust like material was all over the inside of the case, there were several QC oversights with the guitar itself -  smudges, marks, and sloppy painting along edges. The main issues were all cosmetic, but it was a strange state in which to receive the guitar and indicated problems at both the Gibson Memphis factory as well as at Sweetwater. 

Sweetwater endeavored to correct the issues with a replacement, so now I'm just waiting for them to send the new one. They notified me of a couple small cosmetic issues, but nothing affecting playability or tone. These issues weren't a big deal for me, just the indication that the whole process had been rushed or incomplete with the original guitar. I'm not precious about an instrument's appearance. I don't go out of my way to break them in, but I don't get upset when dents, scratches, and other wear occurs. It's part of the natural playing process. However, I do expect a new guitar to look new when I first receive it. 

I finally got my grades for the Spring 2018 semester, an A in the guitar course and I managed to eek out an A minus in the ear training course. I think my final assignment encouraged him to curve my grade a bit, because I was expecting no better than a B given the work I never bothered correcting, even though he gave me the opportunity. I think the complexity of my final project convinced him that even though I sort of avoided his specific approach with solfege and conducting, I have still managed to develop my ear quite a bit. In the case of harmonic ear training it was beyond the scope of his course. He indicated it was more consistent with the final assignments in the 300 level harmonic ear training course. So, there's that. 

I do plan to continue on with my ear training, it's clearly integral to good musicianship and composition. But, I'll approach it at my own pace and prioritize according to my goals and needs. 

NGD...335 Style

I got Household 6 approval and worked out a deal for about 10% off from Sweetwater, so next week I'll be the proud owner of a Classic White ES-335. It's not precisely the Alex Lifeson guitar, but it's very close in spirit and actually more to my aesthetic preference all things considered. I'll break it in appropriately with some Alex flavored licks and excerpts. It should fill a nice niche that's been empty in my arsenal, a semi hollow body that will allow me to cover a wide array of tones.